The first 50 chapters of the classic Victorian-era "Penny Dreadful" serial, concerning the misadventures of the vampire Sir Francis Varney.

Les Soirées de Médan est un recueil collectif de six nouvelles, publié le 15 avril 1880, réunissant Émile Zola, Guy de Maupassant, J. K. (Joris-Karl) Huysmans, Henry Céard, Léon Hennique et Paul Alexis. l\'idée et le nom même du recueil auraient germé au cours d\'un repas hivernal dans l\'appartement parisien de Zola, ce jour-là entouré de Hennique, Guy de Maupassant, Huysmans, Céard et Alexis, lorsqu\'a Émile Zola, après l\'évocation de divers souvenirs respectifs des six amis relatifs à la guerre de 1870

Eight complex stories illustrative of the author's belief that "a story must tell itself," highlighted by the high art style of the famous title novella.From the Trade Paperback edition.

Antigonick is a translation of Sophokle's Antigone only in the loosest sense – with significant changes and metatextual additions to the original, an extra character, and illustrations with interpretations left open to the reader, it could easily be considered a different work altogether. With text blocks hand-inked on the page by Anne Carson and her collaborator Robert Currie, Antigonick features translucent vellum pages with stunning drawings by Bianca Stone that overlay the text. Anne Carson has published translations of the ancient Greek poets Sappho, Simonides, Aiskhylos, Sophokles and Euripides. Antigonick is her first attempt at making translation into a combined visual and textual experience: it will provoke poetry readers, classical scholars, theatre people and comic-book aficionados.

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Anthony Trent, Master Criminal<author> Wyndham Martyn<contributor> null<publisher> Moffat, Yard & Company, 1918<subjects> Criminals

From the author's preface: "The experiences related in this volume fell to me in the summer of 1902. I went down into the underworld of London with an attitude of mind which I may best liken to that of the explorer. I was open to be convinced by the evidence of my eyes, rather than by the teachings of those who had not seen, or by the words of those who had seen and gone before. Further, I took with me certain simple criteria with which to measure the life of the underworld. That which made for more life, for physical and spiritual health, was good; that which made for less life, which hurt, and dwarfed, and distorted life, was bad."

This collection of literature attempts to compile many classics that have stood the test of time and offer them at a reduced, affordable price in an attractive volume so that everyone can enjoy them.

This rarefied novel adopts the form of the interior monologue characteristic of Lispector's (1925-1977) oeuvre. A woman sits by the open window of her Brazilian beachfront studio, writing a long letter to someone no more specific than "you." She parries with language (which is "only words which live off sound") and is wholly consumed with problems of epistemology: "I want to die with life." A painter, she struggles as well to recreate the world around her: "On certain nights, instead of black, the sky seems to be an intense indigo blue, a color I've painted on glass." When she listens to music, she says, "I rest my hand lightly on the turntable and my hand vibrates, spreading waves through my whole body." While the narrator's self-consciousness ("And if I say 'I,' it's because I don't dare say 'you,' or 'we,' or 'a person.' I'm limited to the humble act of self-personalization through reducing myself, but I am the 'you-are.' ") and diction ("the ultimate substratum in the domain of reality") may strike some readers as academic, others will appreciate the challenges of Lispector's philosophical investigations. Copyright 1989 Reed Business Information, Inc.

"The Queen of Spades" is one of the most famous tales in Russian literature, and inspired the eponymous opera by Tchaikovsky; in "The Stationmaster", from The Tales of the Late Ivan Petrovich Belkin, Pushkin reworks the parable of the Prodigal Son; "Tsar Nikita and his Forty Daughters" is one of Pushkin’s bawdier early poems; and the narrative poem "The Bronze Horseman", inspired by a St Petersburg statue of Peter the Great, is one of Pushkin’s best-known and most influential works. The volume also includes a selection of Pushkin’s best lyric poetry. Contents: • Short Stories: The Queen of Spades; The Stationmaster • Drama: Extracts from Boris Godunov and Mozart and Salieri • The Bronze Horseman (narrative poem), Tsar Nikita and His Forty Daughters (folk poem) and 14 lyric poems • Novel in Verse: Extract from Yevgeny Onegin (novel in verse)